Stanley Kubrick on Disney.
I saw Mary Poppins three times, because of my children, and I like Julie Andrews so much that I enjoyed seeing it three times. I thought it was a charming film. I wouldn’t want to make it, but … Children’s films are an area that should not just be left to the Disney Studios, who I don’t think really make very good children’s films. I’m talking about his cartoon features, which always seemed to me to have shocking and brutal elements in them that really upset children. I could never understand why they were thought to be so suitable. When Bambi’s mother dies this has got to be one of the most traumatic experiences a five-year-old could encounter. I think that there should be censorship for children on films of violence. I mean, if I didn’t know what Psycho was, and my children went to see it when they were six or seven, thinking they were going to see a mystery story, I would have been very angry, and I think they’d have been terribly upset. I don’t see how this would interfere with freedom of artistic expression. If films are overly violent or shocking, children under twelve should not be allowed to see them. I think that would be a very useful form of censorship.
In March 1976, construction began of a new sound stage at Pinewood, the 007 Stage. To complement this stage, Eon also paid for building a water tank capable of storing approximately 1,200,000 gallons (4,500,000 litres).
The soundstage was in fact so enormous that celebrated director Stanley Kubrick visited the production of The Spy Who Loved Me (1977) in secret, to advise on how to light the stage.
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